My artistic expression is based on geometrical pattern history in Iranian culture and architecture, which was used in Iran in the 4th century. In my painting, it’s a matter of putting together layers of Iranian garden information about reflection and human encounters and interaction. It’s about fluctuation from disorder to order. Reflection made paradoxical effect as it proves and disproves the experience of being simultaneous. On the one hand, it visualizes a clue of being on the other hand, the reality is manipulated.